It's an absolute thrill when you find a piece of vintage clothing that fits oh so perfectly in your closet. There's something a little romantic about it, no? It's almost as if this item, manufactured decades ago, was predestined to eventually end up in your hands. Yes, I'm aware of how filmi I sound... Clearly I watch too many Bollywood movies.

Back to my point - I want to share a mini guide of my favourite vintage finds and where in London I picked them up from.

This particular trench coat that I'm wearing in this set of photos was found a few months ago at one of Mile End Vintage's pound sales. As the name suggests, nothing is over a pound (£). Yes, that's right - £1. It's a damn steal for a garment in such perfect condition. I've seen commercial vintage retailers sell clothes in far worse condition for upwards of £20. Stay clear of those places, folks. Although you do have to manoeuvre quite a bit through a sea of clothes during the special sales, it's totally worth it when you find pieces like these.

Also located in Mile End is 2nd Time Around, where I found this vintage Burberry leather jacket, probably made in the late 1800s as it carries the "Burberrys" logo. More than clothes, they have a very interesting collection of furniture that many of you could appreciate. This magnificent fur coat from the 1930s was purchased from D. & A. Abrahams - an exquisite antique store with an inexpensive curation of items. How I managed to stop myself from buying everything off their racks, shelves and walls is a mystery to me. And finally, every tourist's favourite - Brick Lane Market. There I managed to find this casual pair of sunglasses and this gorgeous cat-eyed pair. Are you in love yet?

I hope this mini-guide serves you well. Do share your favourite vintage pieces in the comments below (or on Instagram or Twitter or Tumblr) and don't hesitate if you've got any questions!





Photo assistance - Trishna

Wearing: Zara - Sweater // Cos - Trousers // Michael Kors - Sneakers // Vintage - Trench coat



As an illusory spring teases London with deceptively sun-drenched afternoons, it's only natural for me to yearn for those sultry days spent in the south of Spain last summer - wandering in earnest, trying different foods everyday and not having to worry about a vitamin D deficiency. It was an admittedly rushed trip and we found ourselves hopping from city to city like a butterfly with a voracious appetite. Seville was one of the places where I wish we could have spent more time in, not only to truly delve into its rich history but to explore its urban marvels as well. There is no doubt in my mind that I will be visiting again... but until then, here's a visual recollection of Sevilla.


Photo assistance - Claudia Naomi

Wearing: Darimeya - Shirt // Acne Studios - Trousers // Prada - Sunglasses

AMISHA अमीशा


Life can be harsh and unforgiving sometimes. Perhaps this is why lately I've been so drawn towards capturing a more romantic essence in my photos. Unclear and spontaneous, light and aglow - like a dream sequence from an old film. In fact, shooting this story with Amisha and Tahira was like a dream. Both of them are visual artists - they understand the subtleties of light, perspective and anatomy. It's always so fascinating for me when I collaborate with others to see how they translate their skills across different mediums. It truly leaves me speechless. All I can say is that I'm truly grateful for the opportunity to work with these talented women.

And while in praise of talented women, a huge shoutout to Trishna and Nicole who have just launched an online platform for the Singaporean creatives - SWEE ZINE.  The full editorial and my little ramble on spontaneity can be found there as well.










MODEL // Amisha Acharya
MAKE-UP // Tahira Asghar









Let there be no scales to weigh your un-known treasure;
And seek not the depths of your knowledge with staff or sounding line.
For self is a sea boundless and measureless.

- Kahlil Gibran, The Prophet


Last spring, I drove down south with Melody to visit this breathtaking place - the Seven Sisters cliffs. Best two and a half hour drive ever. If you're ever traveling to London, you should definitely think about seeing the chalk cliffs.

Being surrounded by nature as far as the eye can see, with little trace of human presence, is without a doubt one of the most incredible sensations I've ever felt. We were really lucky that it was a quiet day and we got the entire beach to ourselves. It's exciting and makes your heart flutter, but at the same time instills tranquility in your soul. It's a reminder that harmony exists in this universe. It's a reminder that I am a small, ephemeral fixture on this land. And even smaller are my problems.

Looking out into the sea, I realise that it has no beginning, no end. Boundless. Despite the chaos of crashes and sprays of salt, it is inherently serene. Each flowing body of water is somehow connected to one another, and they connect the rest of the world. Like the unfathomable depth of the oceans, the potential each and every one of us hold inside ourselves knows no bounds.

Whatever we seek without, can be unearthed within.

Shot at Seven Sisters Country Park, Sussex.

Styling, creative direction - Faiyaz Kolia
Photo assistance - Melody Tan




001 // Fits and Starts by Doug DuBois // page 88
Every so often, I start my graduate seminar with a celebration of false starts, dead ends, and wrong turns. The assignment calls for students to display a failed project. For inspiration, we all read Courtney Eldrige’s wonderful letter to the editors of McSweeney’s, which begins:

“Dear McSweeney’s,
No, I’m afraid I don’t have anything to submit to your upcoming issue. So instead of sending a complete work, because I don’t see that happening anytime soon, I thought I might submit a working list of stories which I have recently or not so recently quit, abandoned, or forsaken, complete with short summaries of each failed effort, in order to give you some idea why they’ve been sent down. Besides, I like listing. It cheers me up.”

Maybe the strongest glue that binds artists together is failure. Celebrating this kinship, getting it out in the open, helps to avoid the delusion of self-pity and the scorn of schadenfreude. There is, of course, no critique of the work presented for this assignment, but the inevitable stories and laughter help us maintain the conceit, so critical to art and life, that things will get better.


I've always been one to scoff at the idea of "new year, new me" and other resolutions of that nature... But I have to admit, this year I really do feel like a new me. Not because there's a shiny, new calendar on the wall (metaphorically speaking), but because I actually have been rediscovering myself and my passions over the course of the last few months. I've really been pushing the boundaries of my own comfort zones, exploring, learning and growing through my experiences.

One of the things I've been focusing a lot on lately is my photography and how I can push myself to get better. When I saw that Rhea (an incredible creative, of whom I am a huge fan) had embarked on a personal project of taking on assignments from The Photographer's Playbook, it was something that immediately resonated with me. I believe in signs and this was definitely a huge one. My dear friend Trishna and I have decided that we need to push ourselves creatively and therefore we will also be taking part in these weekly assignments - no guarantee on that time frame though, considering how long it took for this first one to come about.

The first brief (posted above) talks about failed projects - initiatives that we've quit, abandoned or forsaken. This particular set of photos were not exactly a failure per se, however I never expected them to be published. Therefore they were pushed to the back of the shelf and forgotten about. These photos were shot spontaneously with a friend on a sun-drenched weekend almost two years ago. At that time it seemed like something we were just doing for fun - without any intended audience, without any pretence. The light coming through the windows was beautiful and I just knew that I wanted to capture something equally beautiful in it. My creative work two years ago was very different to what it is today, and I wouldn't have imagined that these would fit in my portfolio. Yet it's strange to see that it actually sits perfectly with my current body of work. Something for me to think about.

While I head off to brainstorm for next week's assignment, please feel free to join in on this journey of self-improvement. I'm incredibly curious to see how others interpret these briefs and assignments. Leave a link below and I'll definitely check it out.

page 88 interpretations: Trishna GoklaniRhea Gupte



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